TAN CHAI’s rising reputation in the field of film editing has led to numerous significant opportunities, the most notable of which is his upcoming involvement in the editing of three highly anticipated film projects: Bartender Knows, Pet Romance 1-2-3, and The Walk In. Although editing work on these films had not yet begun at the time of writing, the fact that TAN CHAI has been contracted as the editor for all three acclaimed projects marks an important milestone in his career, further solidifying his status as a trusted collaborator in the industry.
Pet Romance is a classic genre film that highlights the warmth and inspiration embodied in the bond between humans and animals, and has already drawn industry attention. The producers recognized TAN CHAI’s talent for crafting emotionally rich and intricately detailed narratives, and consequently invited him to serve as the editor for this trilogy. His previous work on character-focused short films, documentaries, and festival-recognized commercials—such as BrightMinds—makes him particularly well-suited for a trilogy that demands strong narrative logic and precise emotional rhythm.
Likewise, The Walk In is a surreal family thriller that demands a keen creative instinct and the ability to construct a tight narrative structure—qualities that TAN CHAI has consistently demonstrated in past projects. His early contract as the film’s editor shows the production team’s strong confidence in his ability to shape the story from rough cut to final delivery.

Bartender Knows is a psychological thriller set during a pandemic lockdown, telling the story of a bartender who uncovers hidden connections between his patrons through their conversations. TAN CHAI was chosen as the lead editor for Bartender Knows due to his skill in handling complex psychological dynamics and multi-linear narrative structures. His talent for pacing and rhythm, showcased in several award-winning films, allows him to shape characters’ inner journeys and build narrative tension through nuanced and powerful editing. Director Tye Liu, having worked with Tan multiple times, fully trusts his deep understanding of directorial vision.
Though TAN CHAI has not yet begun editing these three projects, the contractual commitments underscore his growing influence as a film editor. In an industry where post-production roles are typically reserved for the most reliable professionals, being selected in advance—based on artistic reputation, skill, and portfolio—is a strong testament to his recognition within the field.
All three film projects are scheduled for release in the coming years after post-production is complete. TAN CHAI’s editorial vision and expertise are expected to significantly shape their storytelling. These contracted projects are proof of his ongoing professional recognition—not only for his past achievements but also for the filmmakers’ confidence in his talent and future potential.